That Floating Poo Was Way Too Symbolic! These Are the Television Letdowns of the Past Year.

Looking back, we reflect on the TV landscape of the past year, a handful of shows emerge not for their excellence, but for their notable failures. Ranging from awkward sequels to bafflingly poor documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with woeful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the third season started, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It ended on a bum note; the lingering shot of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin enumerating the flaws. The laughably wooden writing? The tedious veneration of wealth and consumption? The seemingly deliberate parade of cliches? Performances so poor they felt borderline malicious? Suffice it to say “each and every one” and forget about this show again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be reserved for the people who have had to endure close contact with this charming but dismissive egotist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were many other problems. Primarily that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into twee lifestyle as intentional statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing catalogue. She obviously has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, somewhat stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Sheila Pratt
Sheila Pratt

A seasoned gaming enthusiast with over a decade of experience in online slots, dedicated to sharing insights and helping players improve their strategies.